Artist Statement

Life is a continuance. It is within this cyclic process of change and adaptation I apply the language of nature to themes of religion and patriarchy which are prevalent in my work. Reminiscent of the layers and patterns in nature accumulated over time, I choose to layer multiple concepts in an endeavor to provoke thought from the viewer. The result of unearthing issues that have affected me is both to discover more about myself and to engage the viewer in the beauty of that discovery.

Monday, December 3, 2007

The Treachery of Symbols


Sterling Silver, Glass, Earth, Bone
2 1/4" x 5 1/4" x 1 3/4"

Everything that we believe we "know" is limited by our experiences, our environment, our culture, and our genes, which combined, give us our individual perception of what is real. Our senses are the mediators between reality and our awareness of it. Relative truth, adopted truth, personal truth. I am interested in the defintions assigned to identities, their significances, and the influential forces that drive them, be they archetypes, religions or societies.
In The Treachery of Symbols, the image of man becomes deified, and a remote, mysterious God that breathes life through the pipe's stem becomes tangible. The symbol of the pipe, an object traditionally associated with culture and spirituality, gives identity to a God that we can potentially grasp. The earth and bone cloistered within the bowl of the pipe represent man and woman, encapsulated by their socially appointed roles. As the bowl is opened fully, the female becomes positioned away from the male. When closed, the center of life returns to that familiar state where only ashes remain.